Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Origami facile
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, but the most extreme form occur in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course closely related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Origami Paper Michaels Japanese Origami.
Origami fleur
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the legs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and Origami Heart With Wings the other to avoid the complexities of a model achieved solely by folding.
Fleur origami
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly when foil has recently been used and one can make sure of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The thought of wetting the paper appears to be Japanese in origin Avion En Papier Pliage Qui Vole Bien was demonstrated by Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is discussed by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be gentle and we are approaching figurine rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the conclusion to Mon Bateau De Papier Hugues Aufray show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to represent some part of the animal and then brought with each other. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a monster from a quantity of squares of different sizes.
Comment faire un avion en papier
In the most extreme combos of water and paper we are, of course , in the world of fun which is plainly an open-ended art. DecoratingThe most basic step from your single color is one side coloured and one white or plain. A great package of modern Origami exploits this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A
more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The cutting out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become Origami Easy Heart secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. Probably the most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.
